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Marsh Tote Bag featuring the painting Marsh View by David Randall

Boundary: Bleed area may not be visible.

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Marsh View Tote Bag

David Randall

by David Randall

$45.00

Size

Image Size

 
 

Background Color

 
R(108) G(83) B(90)

Product Details

Purchase a tote bag featuring the painting "Marsh View" by David Randall.   Our tote bags are made from soft, durable, poly-poplin fabric and include a 1" black strap for easy carrying on your shoulder.   All seams are double-stitched for added durability.   Each tote bag is machine-washable in cold water and is printed on both sides using the same image.

Design Details

I had fun with the rainbow of colors in the marsh grasses and early morning low light.

Ships Within

2 - 3 business days

Additional Products

Marsh View Painting by David Randall

Painting

Marsh View Canvas Print

Canvas Print

Marsh View Framed Print

Framed Print

Marsh View Art Print

Art Print

Marsh View Poster

Poster

Marsh View Metal Print

Metal Print

Marsh View Acrylic Print

Acrylic Print

Marsh View Wood Print

Wood Print

Marsh View Greeting Card

Greeting Card

Marsh View iPhone Case

iPhone Case

Marsh View Throw Pillow

Throw Pillow

Marsh View Duvet Cover

Duvet Cover

Marsh View Shower Curtain

Shower Curtain

Marsh View Tote Bag

Tote Bag

Marsh View Beach Towel

Beach Towel

Marsh View Weekender Tote Bag

Weekender Tote Bag

Marsh View Bath Towel

Bath Towel

Marsh View Coffee Mug

Coffee Mug

Marsh View Spiral Notebook

Spiral Notebook

Marsh View Fleece Blanket

Fleece Blanket

Marsh View Tapestry

Tapestry

Tote Bag Tags

tote bags tree tote bags landscape tote bags marsh tote bags grass tote bags stream tote bags water tote bags pines tote bags pile tote bags mud tote bags reflections tote bags buildings tote bags hilton head island tote bags south carolina tote bags morning tote bags pilings tote bags

Painting Tags

paintings tree paintings landscape paintings marsh paintings grass paintings stream paintings water paintings pines paintings pile paintings mud paintings reflections paintings buildings paintings hilton head island paintings south carolina paintings morning paintings pilings paintings

Comments (15)

Val Arie

Val Arie

What a wonderful piece David!

David Randall

David Randall

Thanks, I have always enjoyed experimenting with color.

David Randall

David Randall

It's a bit messy as mediums go but worth every bit of it. I have been at it my whole life and the medium and papers (sanded primarily) have improved the possibilities and experience dramatically for me. It's fast and portable as well, however you must frame them properly. There is no such thing as an unframed pastel. It's pretty much pure pigments. They have to be framed and protected with glass. Thanks

Val Stokes

Val Stokes

What great colors the pastels give--makes me want to try this medium. Wonderful and original subject.

David Randall

David Randall

Thanks. This is my take on the lowcountry marsh scene. A very common theme here on the south eastern coast.

Beverly Boulet

Beverly Boulet

Just incredible!!

David Randall

David Randall

I think it's the artists job to accent the beauty or drama of any image. Subtlety is a frontier I hope to someday master. I don't think I'm there yet at all.

Joyce Gebauer

Joyce Gebauer

A lovely view of this marshland David! Beautiful, subtle colors L/f

David Randall

David Randall

Thanks for all the compliments. Pastels are an under appreciated medium but gaining much from when I started with them years ago.

Brandi  Hickman

Brandi Hickman

Stunning Pastel!!!

Marlene Burns

Marlene Burns

a master, indeed! WOW! like

Artist's Description

I had fun with the rainbow of colors in the marsh grasses and early morning low light.

About David Randall

David Randall

Randall was born into several generations of artists and raised in the suburban surroundings of northern New Jersey. Despite winning awards while in High School, one awarded by Ben Shahn, he nevertheless found the decision to become a painter difficult knowing intimately what difficulties might lay ahead. He joined the Army at nineteen and after a tour of duty in Vietnam he decided that he had no choice but to become an artist. He began studying drawing, painting and sculpture in NYC at the National Academy of Fine Arts and then at the New York Studio School with Philip Guston, Mercedes Matter, Leland Bell, Peter Agostini and Sydney Geyst coming in contact with many of the leading figures in the, "Abstract Expressionist" movement at...

 

$45.00